Shakespeare has built the character of Iago from an idea already existing in the theatrical culture of his time: Iago has no conscience, no ability to perform good deeds. The way he executes is plan is very subtle to those involved, but very clear to both Iago and the audience: Background — Does this villain have an unknown background?
Or does the villain have a desire to cause harm?
There is some soul of goodness in things evil, Would men observingly distil it out; but here, it may be said, we are shown a thing absolutely evil, and—what is more dreadful still—this absolute evil is united with supreme intellectual power.
Why is the representation tolerable, and why do we not accuse its author either of untruth or of a desperate pessimism? The second is that such evil is compatible, and even appears to ally itself easily, with exceptional powers of will and intellect.
His nature does not enable him to see the goodness in any one or anything; he is driven by a lust for evil beyond his control.
Even if Iago had received the promotion; even if he had no suspicions or jealous feelings, he would invent other motives to provide the framework for the diabolical mischief he must create. Possibly Iago was always a villain and confidence trickster who set up a false reputation for honesty, Thought and iago how can one set up a reputation for honesty except by being consistently honest over a long period of time?
What you know, you know. Iago does all this not for any good reason, but for love of evil. In Iago, Shakespeare shows us a character who acts against his reputation.
Iago is surrounded with Thought and iago irony: Alternatively he might be a man who used to be honest in the past, but has decided to abandon this virtue. While this does act as a catalyst for what goes on, and he does repeat it after convincing Othello to follow through with the master murder plan in the third scene of the third act: The two men denounce the Moor to the Venetian Seignory.
Necessity forces his hand, and, in order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and ultimately himself. With 1, lines, Iago has more lines in the play than Othello himself.
Further along in the play, Iago is often referred to as an ancient, even by himself, first seen in the first sence of the first act: To really determine if he checks all of the boxes in checklist, I will have to take a look at each case individually for Iago.
Unlike Othello, Iago does not have the free will to refrain from wickedness. However, one could also argue that he wants to cause harm because he has a desire for it. The most obvious is that he has just been passed over for a promotion which has gone to Cassio.
He is quite or nearly indifferent to his own fate as to that of others; he runs all risks for a trifling and doubtful advantage, and is himself the dupe and victim of ruling passion — an insatiable craving after action of the most difficult and dangerous kind.
His manipulation and verbal deception allows his plan to fully unfold into a destructive mess of broken relationships. He confesses to Roderigo that this is the reason for his hatred; the reason for his desire to ruin Othello: Iago is a Machiavellian schemer and manipulator, as he is often referred to as "honest Iago", displaying his skill at deceiving other characters so that not only do they not suspect him, but they count on him as the person most likely to be truthful.Iago is a fictional character in Shakespeare's Othello (c.
–). Iago is the play's main antagonist, The role is thought to have been first played by Robert Armin, who typically played intelligent clown roles like Touchstone in As You Like It or Feste in Twelfth Night.
-iago (aside)-iago and roderigo are waiting for cassio-no matter the outcome, iago will benefit-shows how well thought out his plan is.
When Iago tattles on Othello and Desdemona for eloping, he capitalizes on Brabantio's xenophobic attitude toward mixed race marriages. Here's what Iago says to get Brabantio riled up against Othello: Even now, now, very now, an old black ram And it is thought abroad that 'twixt my sheets He has done my office.
I know not if 't be true, But. Some thoughts on Othello: How much of a villain is Iago? For the past couple of months, I’ve been reading Shakespeare’s “Othello” in English class, one of my mother’s favorite plays from. IAGO I hate the Moor, And it is thought abroad, that 'twixt my sheets 'Has done my office.
I know not if 't be true, But I, for mere suspicion in that kind. Iago and Roderigo both despise Othello but it is Iago who has an irrational desire to ruin Othello. Roderigo's hatred is based on Roderigo's own apparent 'love' for Desdemona.